RADICAL PUBLISHING COMBINING ART, WRITING, AND POLITICAL AGITATION.
A many-tiered wedding cake is broken down into its constituent parts, which are then used as frisbees, whizzing a dazzling white over our heads. A group dressed as the many artistic moments of Lady Gaga stand in perfect chronological order, passing a blood orange along until someone in pristine Rain On Me white eyeliner eats the final segment and the universe is finally brought into alignment.
Cleo Henry, Things I have eaten in the street.
Issue two
ISSUE 3 OUT NOW
grain of sand in slow descent cannot see the nose pressed to the glass only its littermates quartz crystals in pale yellow the dunes are always shifting the vagary of their shapes rewriting maps
Kali Richmond, Hour glass
Issue one
Alexey Adonin, Something to remember
Issue one
I AM INTERESTED IN UTOPIAN THINKING AS A CRITICAL TOOL, A FORM OF SATIRE AND IRONY... TRYING TO DEVELOP INTERESTING METHODS OF DISTRIBUTING PROPAGANDA AND INFORMATION WITHIN THE HIDEOUS BOREDOM OF COMMERCIAL SPACE
Nils Norman, Utopia Now: Interview with Jennifer Allen, 2002
Justyna Tuchorska, Sacred time
Issue one
through the guttering, the bathroom windows, the skylights, the looseness of tiles, the air vents and chimneys, a gap in the thatch. We sail to the trig point on the escarpment and compare our colours: plum for the eye socket, blue for the thighs, upper arms striped a yellowing green, the dun of a gut punch fading at the navel. We do not need to speak over the smell of sweat and pheromones, our faces illuminated by lightning. We pull handfuls of wolfsbane and witch hazel from the thickets, making our bodies new again, done with the need for homes, done with impossibilities.
J. L. M. Morton, The women rise up
Issue two